The instrumental track uploaded here, under a CC-BY license.
I imported the track into my iPad (converted to AIFF) and then mucked around with the iPad’s GarageBand. Experimented with piano, orchestra strings and clean electric guitar layers. Utilised the automatic chords in the GB iPad app (I couldn’t have played them so precisely). Finally exported to my iMac and tweaked the mix with Logic Express.
Was totally mesmerized by this track (from their 2008 album), “Loss”.
Just about every track by them was super. “Loss” was my favourite, I posted at Facebook. The melodic progression was just brilliant. There was a bitter-sweet sense of stoic heroism in their music.
Decided to buy their music.
That’s not the only thing.
Daniel Sassoon left a comment at my Facebook post. Which was a timely reminder for me to check out his band, “In Each Hand A Cutlass“. I had an inkling about his band but never made time to listen to the music.
I don’t deny that it took an out-of-Singapore Post-rock band to connect me with a Singapore-based one.
Is it just me, or does listening to Post-rock makes the head dip and heart soar? I just went over to give my wife and the dog a hug. Just felt like it. Too happy to care that this update sounds weird!
A few friends wondered what was Post-rock. I had a vague definition. Daniel gave a better explanation:
What exactly post rock is is hard to describe – at its most basic level it’s (normally) instrumental music that’s more about cinematics, atmospherics, tension and release rather than instrumental prowess and flashy playing (there are exceptions of course). Check out bands like Explosions In The Sky, Mogwai, Russian Circles, This Will Destroy You, Red Sparowes, This Patch Of Sky, Caspian, Saxon Shore, Godspeed! You Black Emperor, Ef, Tangled Thoughts Of Leaving, If These Trees Could Talk, God Is An Astronaut, And So I Watch You From Afar, Hammock, Lowercase Noises and of course locally, I Am David Sparkle.
When I first started learning how to play the guitar, armed with only 4 to 5 basic chords, I kept playing repeated melodic patterns over and over. Now that I thought about it, it sounded a lot like Post-rock. Heh.
Anyway, am definitely checking out those bands.
And have also gained a new musical inspiration for 2012.
I might try composing a Post-rock album. Part of the learning and experimentation process.
I got to know fellow ccMixter-ist, urmymuse, from following his uploads and finding that we share different but compatible tastes in electric guitar-based instrumentals. Early 2011, I asked if he’d like to collaborate on something. He was game enough to try.
Early on, we decided on the “Simpler Times” theme/ title. And that it would be released under a CC-BY license.
We had a general idea that it would be about carefree growing-up days, the overall process was really a lets-see-what-we-produce approach.
The album took shape as we emailed MP3 stems and refined the tracks. We abandoned one track that didn’t quite fit the theme. Eventually, we had seven.
After the tracks were mixed and mastered, I invited people via Twitter and Facebook to preview the album. Two online pals (Deb and Kanako) were kind enough to volunteer.
Deb’s review was extremely encouraging (thanks, Deb!):
Hi Ivan, I like it! The tracks seem unified by a common theme / sound, which changes slightly to a more upbeat sound with the final track. I found it really relaxing to listen to and the sound quality (just listening in headphones) is superb. Thanks for letting me listen. Well done to you both. Best wishes, Deb
As Kanako had retweeted my preview invitation, I presumed she would be interested too (ok, so I was desperate for an audience!).
But instead of a preview per se, I asked if she could contribute a CC-BY licensed photo for the album cover. Backstory: urmymuse retrieved a few good CCY-BY-NC ones from Flickr, but I thought to get broader CC-BY licensed ones. I knew Kanako liked to take photos and I was always keen to have as many CC-collaborators on board a project.
Like all collaborative albums, I enjoyed the process of discovery and learning a lot. There’s always, always something new.
For one, it was very interesting to read the thoughts and ideas from urmymuse. As we discussed ideas for the track, he articulated fairly lengthy (but enjoyable to read) “thought-streams” of what the track meant or reminded him.
Receiving the MP3 stems from a fellow collaborator was like opening up a present in the mail. The stems carried with them the possibility of creation. I think that’s what keeps me excited.
To urmymuse, cheers man!
“2011 Simpler Times” was mixed by Ivan Chew. Album cover by Ivan Chew, based on an original photo (CC-BY license) by Kanako Honma. All music and images licensed under a CC-BY license. Please credit:
Listen/ Download at www.archive.org. The track is licensed under a CC-BY license. Feel free to reuse or remix this song (CC license applies).
Please credit the music as follows:
Music by Ivan Chew – MyRightBrain.wordpress.com
The original was composed at a time when I was still new to GarageBand. There wasn’t much of an original lead guitar. More of a tentative attempt at learning how to record an electric guitar “live instrument” into GarageBand. And it was composed after a 12-year break from playing the guitar.
Here’s the original (the volume is mastered too low and uneven; lack of any significant melody):
Four years on, and about four digital albums later, I’ve learned more about recording, mixing and mastering.
While I’m far, far from the likes of playing like Joe Satriani or Steve Vai, the lead guitar playing is considerable better. By my standards, at least. Definitely more thought to the lead guitar composition and musical phrasing.
Also have a better understanding of Compression settings, tricks like applying a Limiter to the final mix, stereo and panning effects. Had help from books like this, this and this.
I’m in the process of transferring posts from the GarageBand Meetup Singapore blog to here. Decided not to maintain that blog, since the group is largely defunct.
The meetup group didn’t really take off. Few people I know are interested in remixing. Or those who play/ sing/ compose aren’t really into recording their own stuff. But the blog will still be there; it just won’t be updated. The GoogleGroup is still available for people to join, though the last time anyone posted messages was back in Oct’09.
I’m currently deciding between Logic Express 8 or GarageBand 4 + 1 of the Jam Packs, and am leaning towards the latter because I think I will get more loops and software instruments at a cheaper price? Do you have any advice that might tip the scale to Logic’s side?
(Incidentally, its now Logic Express 9 and GarageBand is probably two versions up)
Out of curiosity, I decided to tackle Jason’s question. To see how I would respond, given what I know today.
I’ve been using GarageBand extensively since then. Not Apple-qualified, but confident enough to do show-and-tell with ease, plus share mixing and mastering tips and tricks. I’ve tried upgraded versions of GarageBand, and I’ve bought a World Music Jam Pack. Three days ago, I bought and installed Logic Express 9 (pictured on the right, below).
Jason asks for reasons to tip the scale towards Logic Express, so I’ll give it to him.
Get Logic Express, because the difference in cost is just under SGD$40 but you’ll get more from your money’s worth in terms of the Logic Express software instruments, effects and features.
First, let’s talk about cost.
Logic Express would cost you only SGD$39 more, compared to buying a GarageBand upgrade and a Jam Pack.
GarageBand comes with the Apple iLife suite, which means you have to buy an upgrade for iLife. That’ll set you back by SGD$78. Add the cost of one Jam Pack (I’ll take the high end price of $SGD201), your total cost is $SGD279.
Even if you decide to get only the Jam Pack (in which case you can wait till you get a new Mac, with the latest OS and iLife suite), you’ll be forking out SGD$201 already. For SGD$100 more, you’ll be getting a heck of a lot more from Logic Express.
Which brings us to features. I’ll start with the loops/ instruments and features in Logic Express. You’re getting a lot more than the default list in GarageBand. Just consider the piano instruments. GarageBand ’11 has maybe 8 or 9 (the additional ones you see are from my extra Jam Pack):
Now let’s look at Logic Express’s default list: I count 22 piano instruments alone. There’s the “Acoustic Pianos” and “Keyboards” folder, with various sub-folders:
That’s only the pianos. Here’s a screen shot of the Logic Express Software Instrument menu, with the right pane showing the expanded list of Logic Instruments:
There’s more: here’s the EXS24 Sampler interface:
Here’s a video that better illustrates how the EXS24 Sampler works:
OK, with that video you’re probably thinking, “Woah woah, feature-overload!”
That’s what I felt too. But Rome wasn’t built in a day. Learning how to make the best use of Logic Express will take time too. That’s the point, right? Getting your money’s worth?
What I’ve discovered with Logic Express is that while I could get the same MIDI track editing features in GarageBand, it’s a lot more efficient in Logic Express (i.e. less repetition, get the same work done faster). Believe me, it makes a lot of difference. Plus, Logic Express has a better set of Mastering tools (I’ll save that for another post).
In summary, Jason’s question suggested that he’s looking for value-for-money. Seems to me Logic Express is a good choice in this case.
If Jason is reading this, would he be convinced? 🙂
It took me about 5 evenings to produce the remix. Spent about 3 to 5 hours each session, at home after work (I watch a bit of TV, more to accompany my wife — and then sneak off to work on the music!)
After downloading their GarageBand zip file (68 MB), I opened it up and saw 16 individual tracks are in AIFF format. Properly labeled too. I suspect that Lunarin was using Leopard, which was a later version of my Tiger OS X. Still, it seems that the GarageBand file is backwards compatible.
At this stage, I wasn’t too sure how to approach the remix. The problem was that I was familiar with the original version of “The Sky”. The original tune was stuck in my head.
Coincidentally, I came across Admiral Bob’s (a fellow community member at ccMixter) pensive and sensitively played piano sample. I toyed with Lunarin’s vocal sample over that. And thought I heard magic.
It’s my habit to note the source files/ URL, credits, licenses, and other details of the song (like the Beat Per Minute, Key, and time signature). Such notes come in very handy when it comes to crediting the sources (a requirement for using CC-licensed works), as well as during the remixing process (i.e. what were the original time signatures).
Once I decided to use AdmiralBob’s stem, I also adopted his BPM, key and time signature. I created a new GarageBand project with those settings.
From the Lunarin’s GarageBand file, I exported the individual track layers as I needed (used the Solo button to isolate the individual track). Then I opened them up in Audacity and made the necessary tempo conversions. This was because AdmiralBob’s piano track, which would be the backbone of the remix, was in 153 bpm (Key of Em, 3/4 signature) while Lunarin’s was 147 bpm (C Major, 5/4 signature).
For Linda’s vocals, I used a combination of the original BPM as well as the converted one (depending on the mood/ effect I was aiming for in the remix).
Put all the original and converted stems into a separate folder. BTW, the export-convert process tends to be iterative at this stage. As I explore possible musical ideas and arrangement for the remix, I’m going back and forth to get what I think would finally work.
Once the foundation (i.e. the arrangement) of the remix was more or less set, it was time to get down to the nitty-gritty, cutting-splicing-dicing work. Mainly on the vocals, to get the best fit to the backing piano track.
I’m also applying effects to individual tracks as I go along. My preference is to work in the effects along the way, rather than leave it all till the end. Yes, I know some pros advocate the latter approach but I guess my remixing method is like painting — building up the layers gradually.
For this remix, the hardest part was getting the sound level adjustments correct, so that Linda’s vocals stand out at the right level — yet not drowning out the various backing tracks. In this case, I created three layers for the vocals — a middle stereo layer, and a Left and Right pan.
From experience, this method gives the vocals more “body”. Also, in building up the Linda’s vocal recording, there’s a very audible intact of breath. It came to be a distraction, so I slowly and carefully lowered the volume at certain points. This part of the remixing sucks up a lot of time; it’s more process-oriented and repetitive. Not exactly fun, but critical.
When I think the track is ready, I export it as an MP3 file: stereo, at 128kbps, highest Variable Bit Rate (VBR) setting.
It would be unusual to get the first version right. As I listen to the track as an MP3, I spot areas for improvements, e.g. parts that are too loud, too soft, vocal parts sounding a bit off in timing… and so on. It’s an iterative process of making adjustments in GarageBand, exporting the track, listening to it (and repeat). I ended up with about 9 or 10 versions before I was satisfied decided I’ve to stop!
At one point during the final sound/ remix check, I decided there needed to be an orchestral string part near the end. To create that grand concert hall mood. So I recorded a software instrument track. This was the only original part I created for this remix. You can listen/ download the string sample, here.
When I’ve listened to my remix for, oh I don’t know… the 10,000th time! I get to a point where I’m satisfied (but never fully happy though). I make the final sound adjustments and export as an MP3 file.
The proverbial icing on the cake is to key in the metadata (e.g. title, artist name, credits, album cover). I use iTunes for this (there’s also Windows Media Player, if you’re using a Windows-based computer). I’ll make it a point to indicate the CC-licensed sources in the Comments metadata section (that’s where the earlier notes come in).
That’s it. Phew!
You can check out the upload and page details at this ccMixter page. I’ve provided the dry stems for the orchestral strings at that site.
Hope you liked this remix. I know I had fun remixing this. From my favourite S’porean band, no less.
Feel free to leave a comment.
Lunarin is Linda Ong (Bass, Vocals), Ho Kah Wye (Guitars), and Loo Eng Teck (Drums, Vocals). Among them, two of them are practicing lawyers and one is an engineer 🙂
2010 Sound Out Singapore by Starfish Stories : The Band is licensed under a Creative Commons Attribution 3.0 Singapore License. As long as you ATTRIBUTE the music by stating this: “Starfish Stories :: The Band – StarfishStories.wordpress.com”* in your audio, video, website, printed materials etc., you are FREE to USE, COPY, SHARE, MODIFY, or SELL (yes sell!) any of the songs from this album.